| 2:30 | Est. Play Time |
| 85 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo |  |
21 | 43 | 7 | 4 | 96% |
 |
24 | 26 | 7 | 4 | 100% | |
| View all 7 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
21 | 43 | 7 | 4 | 96% |
|
24 | 26 | 7 | 4 | 100% | |
| Bassoon Continuo | |
20 | 0 | 4 | 4 | 100% |
| Double Bass | |
19 | 0 | 4 | 4 | 100% |
| Bass as Consalvo |
|
12 | 0 | 3 | 6 | 65% |
| Oboe 1 |
|
15 | 0 | 2 | 5 | 53% |
| Oboe 2 |
|
16 | 0 | 4 | 5 | 52% |
| 2:58 | Est. Play Time |
| 77 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 24 | 6 | 8 | 97% |
|
22 | 28 | 5 | 6 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 24 | 6 | 8 | 97% |
|
22 | 28 | 5 | 6 | 100% | |
| Violoncello (Continuo) | |
19 | 0 | 3 | 6 | 100% |
| Alto as Dorinda |
15 | 0 | 4 | 8 | 78% | |
| Contrabasses | |
8 | 0 | 0 | 3 | 8% |
| Viola | 10 | 0 | 0 | 3 | 8% | |
| Violins
I |
|
11 | 0 | 0 | 5 | 8% |
| Violins
II |
|
10 | 0 | 0 | 3 | 8% |
| Violoncellos | |
8 | 0 | 0 | 3 | 8% |
| 2:57 | Est. Play Time |
| 95 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Violin 1 |
|
21 | 0 | 7 | 4 | 100% |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Violin 1 |
|
21 | 0 | 7 | 4 | 100% |
| 3:00 | Est. Play Time |
| 84 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cemballo Continuo | |
21 | 4 | 9 | 5 | 53% |
|
22 | 0 | 8 | 5 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cemballo Continuo | |
21 | 4 | 9 | 5 | 53% |
|
22 | 0 | 8 | 5 | 100% | |
| Contrabassi Continuo | |
22 | 0 | 8 | 5 | 100% |
| Violoncelli Continuo | |
22 | 0 | 8 | 5 | 100% |
| Violoncello Continuo | |
22 | 0 | 8 | 5 | 100% |
| Alto | 16 | 0 | 4 | 4 | 71% | |
| Soprano | 17 | 0 | 6 | 4 | 65% | |
| Violini 1 | |
22 | 0 | 7 | 5 | 53% |
| Violini 2 | |
23 | 0 | 9 | 5 | 53% |
| 2:15 | Est. Play Time |
| 63 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
27 | 58 | 6 | 8 | 99% |
|
23 | 23 | 6 | 7 | 100% | |
| View all 7 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
27 | 58 | 6 | 8 | 99% |
|
23 | 23 | 6 | 7 | 100% | |
| Violoncello | |
22 | 0 | 6 | 7 | 100% |
| Goffredo | 14 | 0 | 4 | 7 | 57% | |
| Violins | |
12 | 0 | 2 | 6 | 41% |
| Kontrebaß | |
15 | 0 | 1 | 5 | 40% |
| Violoncellos | |
15 | 0 | 1 | 5 | 40% |
